World Fantasy Con 2017 Announcement

Hello Alchemists and Friends! I’m pleased to announce that I will be reading from The Flaw in the Stone at World Fantasy Convention 2017. In addition to attending the Friday night Signature Event, I will be signing books on Saturday morning (beginning at 11 a.m. at the ECW booth) and reading on Saturday afternoon (beginning at 3 p.m. in ExecSalon 3). If you attend WFC, please stop by and say hello–I’d love to meet readers!

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The Flaw in the Stone

After a summer of revising Book 2 and writing (as much as possible of) Book 3, the new academic year is upon us. For now, I must set aside the fantasy writing and turn my attention to teaching courses in medieval literature and composition.

But today, before venturing into The Canterbury Tales, I wanted to announce that Book 2 will be published in March (with ARCs available within the next few months to reviewers). Until then, here’s the cover image followed by a brief teaser from the Prologue. I’ll be back here with updates as soon as possible!

Flaw in the Stone RGB Final Cover

From the Prologue to The Flaw in the Stone:

Genevre trembled. Once again, she removed a piece of glass from her pocket, reopening her wound for the second time. She held her bleeding finger above the first folio while applying pressure with her thumbnail to ensure the release of large drop of blood. At first nothing happened as the blood hit the page, and she suddenly feared the repercussions if anyone were able to trace the manuscript defacement to her. But, as the minutes passed, the folio began to bear forth its message. The illumination emerged first, rendered in dark crimson and gold. It featured what appeared to be a small being within an ancient alembic, or some kind of transparent vessel. Shortly thereafter, a few words appeared above the image. Their size, style, and placement suggested they formed a title, but Genevre could not read the ancient script in which the words were written.

“Congratulations.”

Genevre spun around. Dracaen stood directly behind her.

“You have done what no High Azoth, including myself, has ever managed to do. Your bloodline alchemy truly is extraordinary.”

Genevre blushed, ashamed at being caught but simultaneously proud of her accomplishment.

“You are no mere outside world scribe,” continued Dracaen. “But neither are you, as yet, an alchemist — rebel or otherwise. Thus, as High Azoth of the Rebel Branch, I must ask you to leave this chamber immediately.”

“But—”

“We will return here together one day, but for now — for your own safety and that of the entire Flaw dimension — you must leave and allow the manuscript to mature.”

“I don’t understand.”

“One by one, over the years — three decades if the scriptural enigmas have been correctly interpreted — the words and illuminations on each folio will emerge. We cannot risk contaminating the sacred process with our impatience.”

“At least tell me what these words say.” She pointed to the letters inscribed above the image of the alembic, now fully revealed and spectacularly vivid on the first folio.

Dracaen moved closer to the manuscript. He smiled and sighed. “Finally.”

“Finally?”

Finally, the Rebel Branch has gained an advantage over the Alchemists’ Council. Even if you choose to leave us on your Day of Decision, today you have repaid our hospitality beyond measure. The Rebel Branch will be forever grateful. With this manuscript, our greatest potential has begun to manifest.”

“What do the words say?”

“Roughly . . .” Dracaen began but then paused as if pondering the best translation of the manuscript’s title. He announced it solemnly: “Formula for the Conception of the Alchemical Child.”


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Gratitude

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The Alchemists’ Council has recently won an Independent Publisher Book Award–specifically, the Gold Medal for Fantasy. Thank you, Independent Publishers! Congratulations to all the other medalists, especially David Waid and Russell C. Connor, whose books won the Silver and Bronze in Fantasy.

If you would like to learn more about the awards and see the winning books in all categories, click on either of the images in this post.

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During this time of gratitude, I would also like to extend my sincere thanks to all the readers who have supported Book 1 since its publication last year. You will be pleased to know I am currently working with my editor on revisions to Book 2: The Flaw in the Stone. And, just last week, I wrote the opening passages to Book 3: The Amber Garden.

Long live the Quintessence!


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The Alchemists’ Pendants

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The pendant featured above was given to me a few weeks ago by Cheryl Morrison, an avid Alchemists’ Council reader. She commissioned an artist to design this piece: a tree in the Amber Garden growing out of the Lapis. I gasped when I saw it and thanked her profusely. It truly epitomizes the spirit of the book. The Lapis therein even houses a flaw. Watching the light glisten through the amber, I stood astonished.

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According to Cheryl, the artist who made this gift not only listened to Cheryl’s description of the Amber Garden, but she later read the book herself while designing the pendant. She also read through this blog, including the post I wrote almost a year ago on the significance of amber.

If you would like to explore more of Hailey Sacree’s stunning pendant art, visit her Etsy shop or Facebook page for WOUND TO EARTH.

woundtoearthlogoCouncil Initiates may begin seeking their pendants here rather than making the journey to Santa Fe.

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Since writing the earliest notes that would eventually transform into Book One, I envisioned alchemists wearing pendants. In 2009, just as Jaden does near the end of Chapter Two, I purchased a pendant from a woman named Florence in Santa Fe. This exquisite piece of “blue turquoise flecked with black” inspired more than only a geographically specific scene. Thanks to this pendant, inspiration for specific Council pendants began. An alchemist’s pendant holds not only a fragment of the Lapis, but the accumulated power of the alchemist, without which one’s bond to the Council ends.

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I have written every passage of Books One and Two wearing the same pendant — one of elaborate silver repoussé wrapped around a green stone. Feeling its weight around my neck immediately transports me into the books’ multiple dimensions, into a state of mind conducive to writing. As a gift for my editor after we completed Book One, I chose an amethyst pendant. The stone is set back into the silver and boasts a streak of rebel red.

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pendant-ssThe silver and stone pendants worn by the alchemists may eventually outshine even the official Council logo as an overarching symbol of The Alchemists’ Council. If you are a potential Council or Rebel Branch Initiate, don’t worry — you will inevitably recognize your pendant when you cross its path.


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Happy New Year Alchemists & Rebels!

Welcome to 2017! On New Year’s Day, a friend sent me these two photos taken at the Crowfoot Chapters in Calgary, Alberta:

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Observing that The Alchemists’ Council continues to be spotted in the wild in the same general habitat as Martin’s Game of Thrones, I have been inspired to update readers on events of the past few months.

In August I participated in Nanaimo’s first GeekCon! Held at the downtown branch of the public library, the event drew numerous participants for its games and cosplay, alongside a small but enthusiastic audience for my reading. Thank you to Janis (not pictured) for dropping by to assist me with book sales. And thank you to audience members Meg, Eric, Brandon, Nalia, and Lee for your active participation! Reconnecting with Lee was particularly welcomed since he is a former student of mine from many years ago.

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In September, as a contributor to Vancouver Island University’s Arts and Humanities Colloquium Series, I spoke about the influence of my academic research and writing on my creative writing.

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Comprising detailed commentary and over 80 slides, this hour-long presentation was one of the most difficult I’ve had to prepare yet one of the most fulfilling I’ve had the pleasure to present. Specific topics included The Philosopher’s Stone, The Emerald Tablet, The Alembic, The Alchemical Tree, The Alchemical Hermaphrodite, and Conjunction. The event’s question period yielded numerous insightful inquiries from engaged audience members. Thank you to all who attended, including VIU President, Dr. Ralph Nilson.

For now I can offer only one photo taken by colleague and audience member Melissa Stephens. Note, however, that the A&H Colloquium Series is filmed, so I will be able to add a link as soon as it becomes available.

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September 30, 2016, Malaspina Theatre (VIU, Nanaimo) / Photo Credit: Melissa Stephens

In October I submitted the first draft of the manuscript of Book 2 (The Flaw in the Stone) to ECW Press. Both my publisher (David Caron) and my editor (Jennifer Hale) have now read the manuscript and provided initial feedback–all positive so far. Editing will begin soon!

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Fall 2016 brought one other exciting turn of events: The Alchemists’ Council trilogy has been optioned for television. Though I won’t be providing details of this development until we move further along in the process, I will say that I have thoroughly enjoyed my communications with the CEO of the company in question. The first time we spoke on the phone, the conversation lasted almost two hours. Since then, we have exchanged various emails exploring the philosophy, worlds, and characters of the books. Stay tuned for updates throughout 2017.

As I discovered during the Fall 2016 semester, my day/night/weekend workload kept me from adding regular updates to News from Council Dimension. Since the fast-approaching Spring 2017 semester may yield similar results, this new post for the New Year became a priority today. Though I may not be able to post at length again until the semester’s end in May, I hope you will enjoy exploring past posts and links in the meantime.

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Slayage, “The Hive,” and The Alchemists’ Council

Close Up

Last week I took a break from writing Book Two of The Alchemists’ Council to attend the ‘Euro’Slayage Conference on the Whedonverses in London, UK. If you are a fan of Joss Whedon, you likely already know about Slayage. If not, let me simply say for now that Slayage is a conference that brings together both fans and scholars to present academic papers and round table discussions on all things Whedon. Since first attending in 2006, I would name Slayage (in its various incarnations) as significant highlights of my life. Attending the conference and reconnecting with all my friends every two years fills me with utter joy.

If you would like to learn more about this year’s conference, here is a brief article, including a few details about Michael Starr who, among other contributions to the conference, designed 2016’s fabulous poster:

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From my perspective, Slayage is integrally connected to The Alchemists’ Council. Joss Whedon changed my life as both a scholar and a writer; among other things, he taught me the inherent value of the fantasy genre. And my work in Whedon Studies over the years was a major influence on my decision to write the book. Most significantly, though, I met Jennifer Hale at Slayage in 2008. Jen not only recommended the book to ECW Press in 2014, but ended up becoming its editor. Indeed, it was at Slayage 2014 in Sacramento that she informed me ECW had accepted the book for publication. What a pleasure to be able to attend Slayage 2016 and explore London with her only a few months after the book came out! Here we are enjoying yet another fantasy world a few days before the conference began:

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Onward now to “The Hive”! Given the prominence of bees in The Alchemists’ Council, I wanted to spend the day before the Slayage conference began at Kew Gardens in order to see a spectacular bee-themed art installation created by Wolfgang Buttress.

Hive Sign

According to the official description at the Kew Gardens website, “The installation is made from thousands of pieces of aluminium which create a lattice effect and is fitted with hundreds of LED lights that glow and fade as a unique soundtrack hums and buzzes around you. These multi-sensory elements of the Hive are in fact responding to the real-time activity of bees in a beehive behind the scenes at Kew. The sound and light intensity within the space changes as the energy levels in the real beehive surge, giving visitors an insight into life inside a bee colony.” Fortunately for me, several of my fellow Slayage friends, including Jen, joined me for this unique experience.

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When walking toward “The Hive,” seeing the metal as it glistens against the bright blue sky, one is initially impressed by the installation’s size and intricacy. The architecture alone thrilled me. The ability to view the structure from various angles added to the overall visual and sensory effects. Here are a few shots taken from underneath the structure (i.e. at the end of the path featured above), as I stood looking up into the hive.

From Ground 1

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Those people are Jen and another friend (Tamy Burnett) looking down at me from above! The path continues upward past a wildflower garden meant to attract actual bees. This shot is taken from the path on my way to the top of the structure:

From the Path

Once inside, one is met not only with a variety of sights based on the hive design, but also with the sounds of bees humming and buzzing, which fill the space. Though impressive and moving, the sounds were muffled by dozens of human voices. I would have preferred to lie down on the floor to listen and observe in silence.  And a nighttime viewing would have allowed better appreciation of the flickering lights. But what can one do at a popular tourist attraction open only during the day? We made the best of it, and the experience was fascinating.

From Inside 1

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The exhibit also included information on local bees, including this one whose Latin name–readers of the book will note–resembles “Lapidarian”!  Perhaps Kew Gardens is actually a protectorate that the Council simply had no need to use in Book One.

Bee Info

Of course, Kew Gardens offered other treasures for someone who has built a world of characters named after trees. Jen and I spotted several of the namesakes from Book One, including Ilex and Cercis:

And at least one great name was suggested for a future volume: Fraxinus (clearly a member of the Rebel Branch).

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Of course, the gardens were full of exquisite trees, including this glorious weeping beech, under whose beautiful leaves and branches my friends and I spent quite a bit of time.

Weeping Birch

A few days later, the book and the conference conjoined at the banquet. Here are AmiJo Comford and Ian Klein posing with their door-prize copies of The Alchemists’ Council at ‘Euro’Slayage!

I will also take this opportunity to once again congratulate Ian for winning not only a door prize but–even better–the award for best paper at the conference! Here he is with Mr. Pointy! (Yes, non-Slayage folk, we’ve heard the jokes for years.)

Ian and Mr P

And on a final note, I would like to offer a special thank you to Bronwen Calvert, one of the conference organizers. Amidst all the work she had to do to prepare for the conference and her own paper, she somehow managed to make me this beautiful bee bag as a “congratulations on the book” present. Thank you, my generous and talented friend!

Though I’ve been back home only two days, the countdown is already on for Slayage 2018! See you again then! In the meantime, as of tomorrow, I’m headed back to writing Book Two of The Alchemists’ Council which, by the way, is tentatively titled The Flaw in the Stone. So, as Whedon’s Angel would say, “Let’s go to work!”


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Reading the Alchemists’ Council: Chapter 3 (Part 2)

In Part 1 of my response to the Chapter 3 segment of The Rebel Branch Initiate’s Guide to The Alchemists’ Council, I focused on a few key elements made by both Graybosch and Higby. Part 2 will focus primarily on one particular aspect: Dragons!

Matthew’s exploration of dragon symbolism and its potential association with the Rebel Branch is interesting and diverse. I particularly appreciated learning of the Dragon Rouge, of which I was previously unaware. This and other connections Matthew has drawn between the Rebel Branch and the Left-Hand Path throughout the Chapter 3 analysis are much appreciated given their remarkable similarity to my concept of the rebels of The Alchemists’ Council.

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For those of you interested in further exploring the connections between alchemy and dragons, you can find extensive information on this page at Circle of the Dragon. For those of you interested in a quick overview in relation to its presence in alchemical literature, see the entry for “dragon” in Lyndy Abraham’s A Dictionary of Alchemical Imagery.

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My concept of Dracaen, the Dragonblood Stone, and Dragon’s Blood tonic come primarily from the Dragon’s Blood (or Dragon Blood) tree. As I mentioned in an earlier post regarding the origins and pronunciation of names, most of the characters in The Alchemists’ Council are named for trees or tree-like plants. Here is the excerpt about Dracaen from that post:

DRACAEN is named for the Dragon’s Blood Tree or Dracaena cinnabari. As the narrator of this video states, the tree is “so named because of the drops of red sap which ooze out when it’s cut.” (What other name would I give the High Azoth of the dimension in which the Dragonblood Stone resides?) An array of photos of the tree and its landscape (taken by Michael Melford for National Geographic) can be found here. The pronunciation of the word dracaena can be heard here. In contrast to that pronunciation, I prefer to say the name as DRA-KANE.

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This particular tree was first introduced to me by Jessica Legacy, who was a student research assistant of mine at Vancouver Island University back in 2010. (Indeed, she is one of the VIU research assistants to whom Book One is dedicated.) Jessica brought me information about Dracaena cinnabari, suggesting I consider using it as one of the tree names. As explained at Archive.org, the Dragon’s Blood tree is “named for its dark red resin, known as dragon’s blood, a substance which has been highly prized since ancient times.” The entry at Archive.org provides extensive information about the tree, stating among other details that “[t]he dragon’s blood resin of this tree exudes naturally from fissures and wounds in the bark, and is commonly harvested by widening these fissures with a knife.” References such as this to the tree’s bleeding fissures fit perfectly with my concept of the Flaw in the Stone. Thus were the names for the Rebel High Azoth (Dracaen) and the Flaw (Dragonblood Stone) born.

And one final point for today… In addition to his detailed work on dragon lore, Matthew created a Matrix/Morpheus meme that I adore–I can only hope it hits the Twitter feeds shortly! Be sure to check it out under “Dracaen’s Pitch” in the Chapter 3 segment of The Rebel Branch Initiate’s Guide to The Alchemists’ Council.

Farewell for this week, or as the rebels might say, “Long live the Dragonblood Stone!”

Reading The Alchemists’ Council: Chapter 3 (Part 1)

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Before delving into this week’s extraordinary Graybosch & Higby Reading, I would like to mention something that has been on my mind of late: reviews of the book. Fortunately, most of the reviews have been positive. I extend my sincere gratitude to everyone who has taken the time not only to read The Alchemists’ Council but to post a review. Of course, like any writer with a newly published book, I am thrilled with the positive reviews, but I find the less-than-positive ones can sting (bee pun intended). Notably, however, the stinging variety appear to be variations on a theme: the book is dense and difficult.

Yes, I agree.

The book is indeed dense given the philosophy and vocabulary of its subject matter and the background material upon which it is based. Alchemy is one of the most complex subjects ever presented to readers. Take a look through the material at Adam McLean’s The Alchemy Website to gain a sense of its vastness and complexity. Alternatively or additionally, take some time to watch Adam McLean’s YouTube videos in the 3-part series How to Explore Alchemical Symbolism. Mr. McLean is a preeminent scholar of alchemy whose body of work and dedication to the field are extraordinary and, often, utterly breathtaking.

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If you indeed are “worthy to turn the page” (xiv), once you embark on reading The Alchemists’ Council, you need thereafter to consider yourself an Initiate willing to immerse yourself into a complex and challenging world. By the end of your journey, you might just find yourself–whether literally or figuratively–in possession of the philosopher’s stone.

I will end this opening segment by highlighting two recent reviews. One dubs the book “A Lacanian Fable.” In doing so, Rhonda Wilcox offered me (and other readers) not only extensive commentary but also a new way to approach the book! Thank you!

The other review, from Goodreads, I post here in its entirety:

Parker Review

Thank you, Mr. Parker! And in case you or others are wondering, I am indeed working on Book 2 at the moment.

Onward now to The Rebel Branch Initiate’s Guide to the Alchemists’ Council: Chapter 3, this week’s contribution to the Graybosch & Higby Readings. (If you have not yet read it, click on the link and take a look before continuing here.) As regular readers of this guidebook series will note, Matthew has made recent revisions to the layout. I admire the new format; for me it’s aesthetically pleasing and thus easy to read. This week’s bee image at the top of the page is also quite stunning. I certainly appreciate these bee shots as the visual link among the posts.

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When Matthew told me that he would be dividing his Chapter 3 analysis into two parts because of the extensive length, I sent him an email expressing my concern–not about his plan to divide the chapter, but about the time he must be spending dedicated to this project! He wrote me a reassuring message in return saying, among other things, “It’s a good, meaty book that deserves support.” Honestly, Mr. Graybosch, if I were to live as long as Azoth Magen Ailanthus, I would remain forever grateful for your work and support.

As with my previous response posts to Graybosch & Higby, I will not discuss every aspect of the latest edition but instead will highlight a few items that particularly resonated with me this week. To start, I must say I found Eric Higby’s story of his childhood chemistry pursuits quite endearing. Many of us can trace the hobbies of our youth to our current interests or careers. My favourite books as a child were fantasy driven: The Witch Family; A Wrinkle in Time; Jennifer, Hecate, Macbeth, William McKinley, and Me, Elizabeth (to name a few). It’s no wonder I pursued graduate work in mysticism and alchemy. It’s no wonder I became a fan and scholar of the fantasy worlds of Joss Whedon. If only every adult who ever dabbled in magic, mysticism, alchemy, or chemistry as a child would pick up a copy of The Alchemists’ Council, all would be well (to paraphrase medieval mystic and author Julian of Norwich).

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This week, both Eric and Matthew focus in part on the conflict between the Alchemists’ Council and the Rebel Branch. Eric contextualizes the conflict using Yin vs. Yang and Order vs. Chaos, concluding, “I personally believe that a balance between chaos and order is the answer.” Note, however, that Eric also admits to being swayed toward joining the rebels! (Matthew seems to have joined the rebels a while ago if the title for this reader’s guide is any indication!) Matthew discusses similar concepts in the section entitled “The Rebel Branch: Walking the Left-Hand Path.” He contextualizes the conflict using Michael Moorcock‘s model of Law vs. Chaos. Each of these comparative systems has at least one aspect in common: they, like The Alchemists’ Council, emphasize the idea that both sides must exist together. Matthew’s explanation of the Kabbalistic tree, accompanied by a glorious illustration thereof, indeed depicts almost precisely the way I visualized the dimensions when writing the book. I literally gasped when I saw it.

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I also appreciated Matthew’s comparison of Jaden’s first alchemy lesson with “the ‘hello world’ program many first-year computer science and software development students are taught to write.” Yes, all adepts–whether alchemists or computer programmers–must begin at the beginning. Jaden’s transmutation of lead into gold was in fact a late addition to the book; I added it during the substantive edits stage when my editor suggested I include a few more scenes of characters actually doing alchemy. In retrospect, I see this scene as important for the very reasons mentioned by Eric and Matthew. As Eric puts it in relation to his childhood memories, “Jaden’s adventure takes us through a mix of the immersion of those feelings”; and as Matthew puts it, “transmuting lead into gold is child’s play for the Alchemists’ Council.” Overall, the scene simultaneously allows folks to relate to the meta-narrative of the alchemist in the laboratory and suggests that the alchemy of Council dimension extends far beyond this age-old stereotype.

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I must also give props to Matthew for one particular comment made in the section “Jaden’s Distrust and the SNAFU Principle”: “No doubt Cynthea Masson’s drawing on experience from her day job as a VIU English professor as she describes Sadira’s supervisory duties.” Ha! I laughed aloud when I read that sentence! Though Magistrate Sadira has some unique challenges as an Initiate teacher, I imagine that teachers from all dimensions–including right here in Nanaimo–can relate to certain aspects of this scene.

On a final note, I would like to remind readers that both Matthew Graybosch and Eric Higby have their own blogs, which have been up and running for years. I encourage all of you to click on their names here and check out their other posts, information, and news.

See you next time for a response to Chapter 3, Part 2. In the meantime… “Long live the Quintessence! Long live the Alchemists’ Council!” Or as the rebels say (in Book 2), “I am the Blood of the Dragon! I live as the Flaw in the Stone!”


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“Medieval Joss Whedon Bee Book”

Coles with Ricky

Today I would like to thank Ricky (featured in the photo) and Sarah for welcoming me to COLES bookstore at the Driftwood Mall in Courtenay. Thank you also to Maya Pozzolo for initially arranging the event.

For the first few minutes I was concerned that no one would venture over to speak with me, let alone purchase a book. These concerns proved unfounded! Coles had ordered 15 books for the occasion, and all were sold before 2 p.m.  Moreover, I spoke with several interesting and enthusiastic fantasy readers throughout my two-hour visit. Among the folk who asked me to sign their books were Chris, Ryan, Victoria, John, Erin, Rachel, Brenda, Aili, and Mona. Thanks to all of you!

My favourite moment of the visit occurred after I had described the book and answered questions from one particular patron regarding my profession. I explained that I teach medieval literature and television studies at Vancouver Island University, adding that this fall I would be offering a course on Joss Whedon’s Firefly. The woman called to her companion by saying, “Come look at this! It’s a medieval Joss Whedon bee book!” I’m not sure what Mr. Whedon would think of that description, but I certainly appreciated it!

Speaking of bees…yesterday I had yet another bee-related adventure thanks to Paul and Nicole Klan. Paul gave me a glorious lesson in honey spinning–in other words, a lesson in extracting honey from honeycombs using an electric spinner. I’ve added a few pictures. The honey itself tastes sublime!

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Honey 5

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The bee motif of The Alchemists’ Council has certainly led me down some new and exciting avenues of knowledge. I cannot wait to see where the next road leads!


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Reading The Alchemists’ Council: Chapter 2

William Gass

If you haven’t done so already, take a look at this week’s Graybosch & Higby Reading. Our two commentators have taken on Chapter 2 with extensive discussion that ranges from Stalin to Tutankhamun. Truly, I am astounded at the connections being drawn and the breadth of the analysis. As an English professor, I can certainly imagine the emerging Reader’s Guide being an extraordinarily useful resource for students studying the book. Indeed, if I were teaching it, I would assign the following essay:

  • “Choose a specific discussion topic found in any of the Graybosch & Higby Readings. Use that topic as a starting point for your research. Based on your chosen discussion topic and research, develop an argument into a persuasive essay regarding The Alchemists’ Council.”

Of course, I cannot teach one of my own books in my classes, so I can only hope that another professor at another outside world university will consider mining the Graybosch & Higby Readings for essay topics in the near future!

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If I were one of the students in the hypothetical scenario above, I would choose either “Making an Unperson” or “Why Turquoise?” as my starting point. I was nodding my head in agreement all the way through Graybosch’s points in these two sections.

Though I did not specifically have Stalin in mind when writing about erasure, I certainly did draw on the general notion of “erasing” undesirables. Graybosch’s reference to 1984 was particularly poignant for me since one of the attendees at last week’s book launch made the identical comment. Perhaps my undergraduate reading from 1984 itself still lingers–fortunately, not yet erased–in my subconscious. (Yes, folks, I am old enough to have begun university in the year 1984 when reading lists inevitably included Orwell’s masterpiece.)

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The image above is linked to a blog entry regarding teaching 1984, which leads me to suggest another essay topic: “Compare concepts of erasure in Orwell’s 1984 to those in Masson’s The Alchemists’ Council.” Though I am currently between classes, the professor in me clearly does not shut down. (If anyone actually does assign this topic, I would love to see the resulting papers. Indeed, I would even consider posting one on this blog. Contact me!)

Before venturing on to discuss turquoise, I want to re-post here a section of a comment that I originally posted in response to a review of The Alchemists’ Council by Jana Nyman at Fantasy Literature. In the review, Ms. Nyman writes that the book “would have benefited from more clarity concerning the goals of the Rebel Branch and why the Council hates and fears them….” In order to help potential readers understand these motives, I responded as follows:

  • “[F]or me the main conflict of the novel revolves around opposing philosophies regarding free will and power. Since the era of the “primordial myth” with which the book opens, the Alchemists’ Council and the Rebel Branch have been at war. Thus the conflict is as ancient as the dimensions themselves rather than based in particular memories that any living alchemist or rebel may have. The goal of the Alchemists’ Council is to remove the Flaw in the Stone, whereas the goal of the Rebel Branch is to increase it. The Flaw in the Stone is what permits free will. If the Flaw were to be removed completely, the Council believes everyone would be saved in the dimensional equivalent of a unified afterlife. The Rebel Branch, on the other hand, wants to maintain their current existence as individuals with choice (rather than being forced into a collective “One” by the alchemists). This main conflict is explored through a variety of lenses throughout the book. Since I teach medieval literature, much of my inspiration for these conflicts came from philosophical debates on free will found in works such as Book IV of Chaucer’s Troilus and Criseyde.

In light of Graybosch’s discussion of the “unperson” and 1984, I would like to add to my explanation by saying that the main conflict also involves the abuse of free will. The Council Elders believe they have the right to stop alchemists from dissent. To do so, they erase memories of alchemists from the lower Orders. The rebels assist with this process thanks to the power of the Flaw and its inherent absence within the Stone. (Yes, this is an alchemical paradox.) Thus both sides of this conflict are engaged with the abuse. Neither side is free from blame, yet each blames the other. Thus the conflict continues unabated.

Onward to turquoise…

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The pendant featured in the image above is available through Palms Trading Company in Albuquerque, New Mexico. (Click on the image to reach a description of this particular piece.) I myself bought two turquoise pendants when I visited New Mexico in 2009 to present a paper at the Southwest Popular/American Culture Association conference. One of my pendants was purchased at Palms Trading Company; the other was purchased from a woman named Florence at the Palace of the Governors in Santa Fe. (Sound familiar? See Jaden’s purchase on page 113 of the book.) These two turquoise pendants inspired those worn by members of the Alchemists’ Council. As Graybosch suggested, I researched turquoise in particular and came to believe it would be ideal for an infusion of Quintessence. In a future post, I will discuss the concept of the pendants in more detail. For now, I encourage those of you who may be seeking one to explore the myriad of turquoise pendants available at Palms and elsewhere.

The detailed discussion of the Breach of the Yggdrasil is also one that I appreciated reading this week. As with other names I chose for events, rituals, manuscripts, and characters throughout the book, “Yggdrasil” does indeed have symbolic connections to our actual world. The ongoing links to music likewise continue to fascinate me. If not for Matthew, who describes himself as “a metalhead who writes science fantasy,” I would likely never explore these unique tracks. Thank you again, Graybosch & Higby, for opening my mind to new possibilities for the world of The Alchemists’ Council.

See you in the upcoming weeks for Chapter 3!


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